Carnaval uruguayen et dictature
During times of repression, society is made to develop new codes of communication. From 1973 to 1985, Uruguay has seen carnivals become true “representatives for collective conscience” Davies (1979). In fact, this highly regarded form of popular expression ought not to be considered as a simple “saf...
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| Hovedforfatter: | |
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| Format: | Artigo |
| Sprog: | Espanhol |
| Udgivet: |
Université Rennes 2
2010-02-01
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| Serier: | Amerika |
| Fag: | |
| Online adgang: | https://journals.openedition.org/amerika/729 |
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