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Carnaval uruguayen et dictature

During times of repression, society is made to develop new codes of communication. From 1973 to 1985, Uruguay has seen carnivals become true “representatives for collective conscience” Davies (1979). In fact, this highly regarded form of popular expression ought not to be considered as a simple “saf...

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Bibliografische gegevens
Hoofdauteur: Dorothée Chouitem
Formaat: Artigo
Taal:Espanhol
Gepubliceerd in: Université Rennes 2 2010-02-01
Reeks:Amerika
Onderwerpen:
Online toegang:https://journals.openedition.org/amerika/729
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