Griselda Gambaro, la voix d’une mémoire au théâtre
In Argentina, during the years of repression, first under Juan Carlos Onganía’s dictatorship (1966) then under Rafael Videla’s (1976), the theatre was a form of escapism. Yet it was also a means of expression which staged human habits and behaviours.This studying attempts to show that Griselda Gamba...
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| Formato: | Artigo |
| Idioma: | Espanhol |
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Université Rennes 2
2010-11-01
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| Series: | Amerika |
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| Acceso en liña: | https://journals.openedition.org/amerika/1535 |
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