Griselda Gambaro, la voix d’une mémoire au théâtre
In Argentina, during the years of repression, first under Juan Carlos Onganía’s dictatorship (1966) then under Rafael Videla’s (1976), the theatre was a form of escapism. Yet it was also a means of expression which staged human habits and behaviours.This studying attempts to show that Griselda Gamba...
Guardado en:
| Autor principal: | |
|---|---|
| Formato: | Artigo |
| Lenguaje: | Espanhol |
| Publicado: |
Université Rennes 2
2010-11-01
|
| Colección: | Amerika |
| Materias: | |
| Acceso en línea: | https://journals.openedition.org/amerika/1535 |
| Etiquetas: |
Sin Etiquetas, Sea el primero en etiquetar este registro!
|