An Unlikely Match: Modernism and Feminism in Lynda Benglis’s <i>Contraband</i>
In 1969, Lynda Benglis withdrew her large latex floor painting, <i>Contraband</i>, from the exhibition <i>Anti-Illusion: Procedures/Materials</i>. Looking beyond the logistical problems that caused Benglis to pull the work, I suggest that it challenged the conceptual and formal parameters of the exh...
Kaydedildi:
| Yazar: | |
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| Materyal Türü: | Artigo |
| Dil: | Inglês |
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MDPI AG
2024-06-01
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| Seri Bilgileri: | Arts |
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| Online Erişim: | https://www.mdpi.com/2076-0752/13/3/106 |
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