An Unlikely Match: Modernism and Feminism in Lynda Benglis’s <i>Contraband</i>
In 1969, Lynda Benglis withdrew her large latex floor painting, <i>Contraband</i>, from the exhibition <i>Anti-Illusion: Procedures/Materials</i>. Looking beyond the logistical problems that caused Benglis to pull the work, I suggest that it challenged the conceptual and formal parameters of the exh...
Furkejuvvon:
| Váldodahkki: | |
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| Materiálatiipa: | Artigo |
| Giella: | Inglês |
| Almmustuhtton: |
MDPI AG
2024-06-01
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| Ráidu: | Arts |
| Fáttát: | |
| Liŋkkat: | https://www.mdpi.com/2076-0752/13/3/106 |
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