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Image, imagination et cinématographie dans l’œuvre de Jacob von Uexküll

In the second half of the nineteenth century, photography widens the gap between scientific and artistic images. In the twentieth century, cinema change the situation: the nearly magical power of film experience questions the subjective/objective and art/science oppositions. This article examines th...

Cur síos iomlán

Sábháilte in:
Sonraí bibleagrafaíochta
Príomhchruthaitheoir: Yannick Campion
Formáid: Artigo
Teanga:Francês
Foilsithe / Cruthaithe: Centre d´Histoire et Théorie des Arts
Sraith:Images Re-Vues
Ábhair:
Rochtain ar líne:https://journals.openedition.org/imagesrevues/9883
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