Image, imagination et cinématographie dans l’œuvre de Jacob von Uexküll
In the second half of the nineteenth century, photography widens the gap between scientific and artistic images. In the twentieth century, cinema change the situation: the nearly magical power of film experience questions the subjective/objective and art/science oppositions. This article examines th...
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| Autore principale: | |
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| Natura: | Artigo |
| Lingua: | Francês |
| Pubblicazione: |
Centre d´Histoire et Théorie des Arts
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| Serie: | Images Re-Vues |
| Soggetti: | |
| Accesso online: | https://journals.openedition.org/imagesrevues/9883 |
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