The Blurred Line between Good and Evil in Moby-Dick and Post-WWII Cinema: How John Huston Read Melville for his Movie Adaptation
John Huston found ambiguity between good and evil in Melville’s Moby-Dick, which he represented in his 1956 movie adaptation. Hans Robert Jauss’ reception theory complements this analysis of both works through the reactions of their audiences. Moby-Dick is analyzed together with its adaptation, con...
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| Formato: | Artigo |
| Idioma: | Inglês |
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Ediciones Universidad de Valladolid
2024-10-01
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| Series: | ES Review |
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| Acceso en liña: | https://157.88.20.48/index.php/esreview/article/view/8097 |
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