The Blurred Line between Good and Evil in Moby-Dick and Post-WWII Cinema: How John Huston Read Melville for his Movie Adaptation
John Huston found ambiguity between good and evil in Melville’s Moby-Dick, which he represented in his 1956 movie adaptation. Hans Robert Jauss’ reception theory complements this analysis of both works through the reactions of their audiences. Moby-Dick is analyzed together with its adaptation, con...
I tiakina i:
| Kaituhi matua: | |
|---|---|
| Hōputu: | Artigo |
| Reo: | Inglês |
| I whakaputaina: |
Ediciones Universidad de Valladolid
2024-10-01
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| Rangatū: | ES Review |
| Ngā marau: | |
| Urunga tuihono: | https://157.88.20.48/index.php/esreview/article/view/8097 |
| Ngā Tūtohu: |
Kāore He Tūtohu, Me noho koe te mea tuatahi ki te tūtohu i tēnei pūkete!
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