La hantise du rien comme envers de l’H/histoire chez Graham Swift : Waterland et Ever After
In Swift’s fictions, History is invested with a calling. It conceals the emptiness, the nothingness of reality. Through its dramatic function, history, understood both as story-telling and historiography, hides the annihilating real.Waterland and Ever After, probably the most historical of Swift’s f...
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| Natura: | Artigo |
| Lingua: | Inglês |
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Presses Universitaires de la Méditerranée
2012-06-01
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| Serie: | Études Britanniques Contemporaines |
| Soggetti: | |
| Accesso online: | https://journals.openedition.org/ebc/1352 |
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