La hantise du rien comme envers de l’H/histoire chez Graham Swift : Waterland et Ever After
In Swift’s fictions, History is invested with a calling. It conceals the emptiness, the nothingness of reality. Through its dramatic function, history, understood both as story-telling and historiography, hides the annihilating real.Waterland and Ever After, probably the most historical of Swift’s f...
I tiakina i:
| Kaituhi matua: | |
|---|---|
| Hōputu: | Artigo |
| Reo: | Inglês |
| I whakaputaina: |
Presses Universitaires de la Méditerranée
2012-06-01
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| Rangatū: | Études Britanniques Contemporaines |
| Ngā marau: | |
| Urunga tuihono: | https://journals.openedition.org/ebc/1352 |
| Ngā Tūtohu: |
Kāore He Tūtohu, Me noho koe te mea tuatahi ki te tūtohu i tēnei pūkete!
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