Artefacts, displays and the imperial gaze: sensory encounters at the international exhibition of 1862
This article examines sensory accounts of spectators at the International Exhibition of 1862 in order to reconsider how exhibitionary power operated in practice. Building on work on the exhibitionary complex and on Orientalism, it argues that the 1862 Exhibition did not function as a seamless appara...
محفوظ في:
| المؤلف الرئيسي: | |
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| التنسيق: | Artigo |
| اللغة: | Inglês |
| منشور في: |
Taylor & Francis Group
2026-12-01
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| سلاسل: | Journal of Aesthetics & Culture |
| الموضوعات: | |
| الوصول للمادة أونلاين: | https://www.tandfonline.com/doi/10.1080/20004214.2026.2645778 |
| الوسوم: |
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