Artefacts, displays and the imperial gaze: sensory encounters at the international exhibition of 1862
This article examines sensory accounts of spectators at the International Exhibition of 1862 in order to reconsider how exhibitionary power operated in practice. Building on work on the exhibitionary complex and on Orientalism, it argues that the 1862 Exhibition did not function as a seamless appara...
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| Autor principal: | |
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| Formato: | Artigo |
| Idioma: | Inglês |
| Publicado em: |
Taylor & Francis Group
2026-12-01
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| Colecção: | Journal of Aesthetics & Culture |
| Assuntos: | |
| Acesso em linha: | https://www.tandfonline.com/doi/10.1080/20004214.2026.2645778 |
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