“Nay ’tis in grain, I warrant it hold colour”: The Materiality of Black in Middleton’s Black Book
Starting with the satirical Microcynicon and flourishing in the self-referential Black Book, Thomas Middleton’s obsession with black, the colour of ink and atrabile, pervades his non-dramatic texts but also his plays, both tragic and comic. From the dyes and funeral fabrics of A Mad World, my Master...
Enregistré dans:
| Auteur principal: | |
|---|---|
| Format: | Artigo |
| Langue: | Inglês |
| Publié: |
Laboratoire d’Etudes et de Recherches sur le Monde Anglophone (LERMA)
2015-06-01
|
| Collection: | E-REA |
| Sujets: | |
| Accès en ligne: | https://journals.openedition.org/erea/4321 |
| Tags: |
Pas de tags, Soyez le premier à ajouter un tag!
|