“Nay ’tis in grain, I warrant it hold colour”: The Materiality of Black in Middleton’s Black Book
Starting with the satirical Microcynicon and flourishing in the self-referential Black Book, Thomas Middleton’s obsession with black, the colour of ink and atrabile, pervades his non-dramatic texts but also his plays, both tragic and comic. From the dyes and funeral fabrics of A Mad World, my Master...
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| Format: | Artigo |
| Sprache: | Inglês |
| Veröffentlicht: |
Laboratoire d’Etudes et de Recherches sur le Monde Anglophone (LERMA)
2015-06-01
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| Schriftenreihe: | E-REA |
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| Online-Zugang: | https://journals.openedition.org/erea/4321 |
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