Realism as ontological unrest: Digital aesthetics and reparative dynamics in Mati Diop’s ‘Atlantics’
Grounded in Dakar’s elemental properties as much as manifestations of immaterial and virtual presence, French-Senegalese director Mati Diop’s film Atlantics (2019) embodies what Thomas Elsaesser has described as a post-photographic realism of world cinema. In this article, I show how Atlantics colla...
Furkejuvvon:
| Váldodahkki: | |
|---|---|
| Materiálatiipa: | Artigo |
| Giella: | Inglês |
| Almmustuhtton: |
NECS
2022-01-01
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| Ráidu: | NECSUS |
| Fáttát: | |
| Liŋkkat: | https://necsus-ejms.org/realism-as-ontological-unrest-digital-aesthetics-andreparative-dynamics-in-matidiops-atlantics/ |
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