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Realism as ontological unrest: Digital aesthetics and reparative dynamics in Mati Diop’s ‘Atlantics’

Grounded in Dakar’s elemental properties as much as manifestations of immaterial and virtual presence, French-Senegalese director Mati Diop’s film Atlantics (2019) embodies what Thomas Elsaesser has described as a post-photographic realism of world cinema. In this article, I show how Atlantics colla...

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Bibliografische gegevens
Hoofdauteur: Katrin Pesch
Formaat: Artigo
Taal:Inglês
Gepubliceerd in: NECS 2022-01-01
Reeks:NECSUS
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Online toegang:https://necsus-ejms.org/realism-as-ontological-unrest-digital-aesthetics-andreparative-dynamics-in-matidiops-atlantics/
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