Realism as ontological unrest: Digital aesthetics and reparative dynamics in Mati Diop’s ‘Atlantics’
Grounded in Dakar’s elemental properties as much as manifestations of immaterial and virtual presence, French-Senegalese director Mati Diop’s film Atlantics (2019) embodies what Thomas Elsaesser has described as a post-photographic realism of world cinema. In this article, I show how Atlantics colla...
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| Formaat: | Artigo |
| Taal: | Inglês |
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NECS
2022-01-01
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| Reeks: | NECSUS |
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| Online toegang: | https://necsus-ejms.org/realism-as-ontological-unrest-digital-aesthetics-andreparative-dynamics-in-matidiops-atlantics/ |
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