LE PARADOXE DU CRITIQUE D’ART: LA TENSION ENTRE PATHÉTIQUE ET IRONIE DEVANT LES TABLEAUX TOUCHANTS [PARADOX AS THE CRITIQUE OF ART: TENSION BETWEEN PATHOS AND IRONY OF THE “TOUCHING” PAINTINGS]
In his Salons, Denis Diderot pays special attention to “touching,” pathetic paintings, and his interest to J.-B. Greuze’s art is evidence to that. When Diderot turns to describe Greuze’s canvases or genre painting of J.-B. Le Prince or P. A. Baudouin, he finds himself within the framework of sentime...
Guardado en:
| Autor principal: | |
|---|---|
| Formato: | Artigo |
| Lenguaje: | Inglês |
| Publicado: |
Russian Academy of Sciences, A.M. Gorky Institute of World Literature
2016-12-01
|
| Colección: | Studia Litterarum |
| Materias: | |
| Acceso en línea: | http://old.studlit.ru/1-3-4/Langbour.pdf |
| Etiquetas: |
Sin Etiquetas, Sea el primero en etiquetar este registro!
|