LE PARADOXE DU CRITIQUE D’ART: LA TENSION ENTRE PATHÉTIQUE ET IRONIE DEVANT LES TABLEAUX TOUCHANTS [PARADOX AS THE CRITIQUE OF ART: TENSION BETWEEN PATHOS AND IRONY OF THE “TOUCHING” PAINTINGS]
In his Salons, Denis Diderot pays special attention to “touching,” pathetic paintings, and his interest to J.-B. Greuze’s art is evidence to that. When Diderot turns to describe Greuze’s canvases or genre painting of J.-B. Le Prince or P. A. Baudouin, he finds himself within the framework of sentime...
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| Format: | Artigo |
| Sprache: | Inglês |
| Veröffentlicht: |
Russian Academy of Sciences, A.M. Gorky Institute of World Literature
2016-12-01
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| Schriftenreihe: | Studia Litterarum |
| Schlagworte: | |
| Online-Zugang: | http://old.studlit.ru/1-3-4/Langbour.pdf |
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