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“Modulate! modulate! modulate! but do not change the key.” The development and transformation of the term <i>modulation</i> in the 19<sup>th</sup>-century French theory

Historical sources recount an anecdote about a class on organ improvisation taught by the already renowned composer and organist César Franck (1822 – 1890) and attended by young Claude Debussy (1862 – 1918) in the 1880s. According to this testimony, Franck persistently kept telling his young, self-a...

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Bibliografiske detaljer
Hovedforfatter: Nikola Komatović
Format: Artigo
Sprog:Croata
Udgivet: Institut za hrvatski jezik i jezikoslovlje 2018-01-01
Serier:Rasprave Instituta za Hrvatski Jezik i Jezikoslovlje
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