“Modulate! modulate! modulate! but do not change the key.” The development and transformation of the term <i>modulation</i> in the 19<sup>th</sup>-century French theory
Historical sources recount an anecdote about a class on organ improvisation taught by the already renowned composer and organist César Franck (1822 – 1890) and attended by young Claude Debussy (1862 – 1918) in the 1880s. According to this testimony, Franck persistently kept telling his young, self-a...
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| Formaat: | Artigo |
| Taal: | Croata |
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Institut za hrvatski jezik i jezikoslovlje
2018-01-01
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| Reeks: | Rasprave Instituta za Hrvatski Jezik i Jezikoslovlje |
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| Online toegang: | https://hrcak.srce.hr/file/318286 |
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