Caravaggio as “chronovisor” according to Tiziano Scarpa
The essay analyses the unusual interpretation of Caravaggio's painting Cena in Emmaus (1606), suggested by one of the characters created by Tiziano Scarpa in his novel Il brevetto del geco (2016), because it opens up a broader reflection on the contemporary art system. In this perspective, the paint...
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| Format: | Artigo |
| Sprache: | Inglês |
| Veröffentlicht: |
University of Bologna
2022-01-01
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| Schriftenreihe: | Finzioni |
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| Online-Zugang: | https://finzioni.unibo.it/article/view/14204 |
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