Caravaggio as “chronovisor” according to Tiziano Scarpa
The essay analyses the unusual interpretation of Caravaggio's painting Cena in Emmaus (1606), suggested by one of the characters created by Tiziano Scarpa in his novel Il brevetto del geco (2016), because it opens up a broader reflection on the contemporary art system. In this perspective, the paint...
محفوظ في:
| المؤلف الرئيسي: | |
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| التنسيق: | Artigo |
| اللغة: | Inglês |
| منشور في: |
University of Bologna
2022-01-01
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| سلاسل: | Finzioni |
| الموضوعات: | |
| الوصول للمادة أونلاين: | https://finzioni.unibo.it/article/view/14204 |
| الوسوم: |
لا توجد وسوم, كن أول من يضع وسما على هذه التسجيلة!
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