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Sign and Symbol in Picasso

Writers on the semiology of Cubism have often cited Daniel-Henry Kahnweiler’s 1946–48 descriptions of Cubism as a form of writing. They seem, however, to have overlooked Pablo Picasso’s 1945–48 statements about art as a sign language. The first section of this essay argues that Kahnweiler was in fac...

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Autor principal: Pepe Karmel
Formato: Artigo
Idioma:Inglês
Publicado em: MDPI AG 2023-09-01
Colecção:Arts
Assuntos:
Acesso em linha:https://www.mdpi.com/2076-0752/12/5/200
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