Sign and Symbol in Picasso
Writers on the semiology of Cubism have often cited Daniel-Henry Kahnweiler’s 1946–48 descriptions of Cubism as a form of writing. They seem, however, to have overlooked Pablo Picasso’s 1945–48 statements about art as a sign language. The first section of this essay argues that Kahnweiler was in fac...
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| Formaat: | Artigo |
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MDPI AG
2023-09-01
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| Reeks: | Arts |
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| Online toegang: | https://www.mdpi.com/2076-0752/12/5/200 |
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