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Queer(ing) touch and worldmaking in the music videos of Nakhane

In this article, I analyse three music videos by South African artist Nakhane using Connor’s concept of the skin as an “expressive screen”, Coetzee’s conceptualisation of reading what is “written under the skin” and Macharia’s framing of touch leading to pleasure, irritation, and even pain. Nakhane...

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Wedi'i Gadw mewn:
Manylion Llyfryddiaeth
Prif Awdur: Gibson Ncube
Fformat: Artigo
Iaith:Inglês
Cyhoeddwyd: University of Johannesburg 2025-04-01
Cyfres:The Thinker
Pynciau:
Mynediad Ar-lein:https://journals.uj.ac.za/index.php/The_Thinker/article/view/4144
Tagiau: Ychwanegu Tag
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