Queer(ing) touch and worldmaking in the music videos of Nakhane
In this article, I analyse three music videos by South African artist Nakhane using Connor’s concept of the skin as an “expressive screen”, Coetzee’s conceptualisation of reading what is “written under the skin” and Macharia’s framing of touch leading to pleasure, irritation, and even pain. Nakhane...
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| Autor principal: | |
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| Formato: | Artigo |
| Idioma: | Inglês |
| Publicado em: |
University of Johannesburg
2025-04-01
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| coleção: | The Thinker |
| Assuntos: | |
| Acesso em linha: | https://journals.uj.ac.za/index.php/The_Thinker/article/view/4144 |
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