Liminalité, transgressions et déplacements dans Confessions of the Nun of St Omer (1806) de Charlotte Dacre
If the novels of Charlotte Dacre/Rosa Matilda belong to the Gothic tradition of a female version of The Monk, they still boast their anchorage in the sentimental novel, and the moralising intentions behinds its scenes of emotional distress. Contemporary criticism quickly labelled Charlotte Dacre/Ros...
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| Formatua: | Artigo |
| Hizkuntza: | Inglês |
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Société d'Etudes Anglo-Américaines des XVIIe et XVIIIe siècles
2025-12-01
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| Saila: | XVII-XVIII |
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| Sarrera elektronikoa: | https://journals.openedition.org/1718/15526 |
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