Liminalité, transgressions et déplacements dans Confessions of the Nun of St Omer (1806) de Charlotte Dacre
If the novels of Charlotte Dacre/Rosa Matilda belong to the Gothic tradition of a female version of The Monk, they still boast their anchorage in the sentimental novel, and the moralising intentions behinds its scenes of emotional distress. Contemporary criticism quickly labelled Charlotte Dacre/Ros...
Furkejuvvon:
| Váldodahkki: | |
|---|---|
| Materiálatiipa: | Artigo |
| Giella: | Inglês |
| Almmustuhtton: |
Société d'Etudes Anglo-Américaines des XVIIe et XVIIIe siècles
2025-12-01
|
| Ráidu: | XVII-XVIII |
| Fáttát: | |
| Liŋkkat: | https://journals.openedition.org/1718/15526 |
| Fáddágilkorat: |
Eai fáddágilkorat, Lasit vuosttaš fáddágilkora!
|