“Face” as Method: Aesthetic Experiment and Era Reflections in Jia Zhangke’s <i>Caught by the Tides</i>
In Jia Zhangke’s <i>Caught by the Tides</i>, the “face” serves not only as a visual subject but also as a methodology. Continuing the previous realistic shooting style, this film utilizes the faces of ordinary individuals as a poignant commentary on the era. Simultaneously, by leveraging the proper...
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| Format: | Artigo |
| Jezik: | Inglês |
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MDPI AG
2025-11-01
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| Serija: | Arts |
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| Online dostop: | https://www.mdpi.com/2076-0752/14/6/150 |
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