“Face” as Method: Aesthetic Experiment and Era Reflections in Jia Zhangke’s <i>Caught by the Tides</i>

In Jia Zhangke’s <i>Caught by the Tides</i>, the “face” serves not only as a visual subject but also as a methodology. Continuing the previous realistic shooting style, this film utilizes the faces of ordinary individuals as a poignant commentary on the era. Simultaneously, by leveraging the proper...

Ausführliche Beschreibung

Bibliografische Detailangaben

1. Verfasser:	Hanbin Wang
Format:	Artigo
Sprache:	Inglês
Veröffentlicht:	MDPI AG 2025-11-01
Schriftenreihe:	Arts
Schlagworte:	microphysiognomy “face” as method “non-silent” silent film technological utopia digital face
Online-Zugang:	https://www.mdpi.com/2076-0752/14/6/150
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