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The Focaliser Focalised in King Vidor's The Crowd (1928)

The concepts of internal and external focalisation, as described by Bal (1985), Rimmon-Kenan (1983) and others, provide, with certain variations, a powerful way to approach, from a rigorous narratological standpoint, some of the most hotly debated issues in film theory in the past twenty years: spe...

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Bibliografiske detaljer
Hovedforfatter: Celestino Deleyto
Format: Artigo
Sprog:Inglês
Udgivet: Universidad de Zaragoza 1993-12-01
Serier:Miscelánea: A Journal of English and American Studies
Online adgang:https://papiro.unizar.es/ojs/index.php/misc/article/view/11504
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