The Focaliser Focalised in King Vidor's The Crowd (1928)
The concepts of internal and external focalisation, as described by Bal (1985), Rimmon-Kenan (1983) and others, provide, with certain variations, a powerful way to approach, from a rigorous narratological standpoint, some of the most hotly debated issues in film theory in the past twenty years: spe...
Bewaard in:
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| Formaat: | Artigo |
| Taal: | Inglês |
| Gepubliceerd in: |
Universidad de Zaragoza
1993-12-01
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| Reeks: | Miscelánea: A Journal of English and American Studies |
| Online toegang: | https://papiro.unizar.es/ojs/index.php/misc/article/view/11504 |
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