Knowing Holbein’s Objects: An Object-Oriented-Ontology Analysis of The Ambassadors
This article investigates the tenet of Object-Oriented Ontology (OOO) that art, like philosophy, is a form of cognition different from literal knowledge by applying key OOO concepts to the analysis of the Renaissance painting The Ambassadors (1533), a double portrait by Hans Holbein the Younger (149...
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| Hovedforfatter: | |
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| Format: | Artigo |
| Sprog: | Inglês |
| Udgivet: |
De Gruyter
2024-09-01
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| Serier: | Open Philosophy |
| Fag: | |
| Online adgang: | https://doi.org/10.1515/opphil-2024-0032 |
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