Knowing Holbein’s Objects: An Object-Oriented-Ontology Analysis of The Ambassadors
This article investigates the tenet of Object-Oriented Ontology (OOO) that art, like philosophy, is a form of cognition different from literal knowledge by applying key OOO concepts to the analysis of the Renaissance painting The Ambassadors (1533), a double portrait by Hans Holbein the Younger (149...
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| Natura: | Artigo |
| Lingua: | Inglês |
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De Gruyter
2024-09-01
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| Serie: | Open Philosophy |
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| Accesso online: | https://doi.org/10.1515/opphil-2024-0032 |
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