Supergraphics. Sea Ranch and the proto-Pop authenticity
The end of the works of the Condominium I in 1965 supposes the conclusion of a Californian model of domesticity that goes a step further in its relation with the inhabitant through a last process of non tangible transformation of the space. To do this, Charles Moore, accompanied by William Turnbull...
Guardado en:
| Autor principal: | |
|---|---|
| Formato: | Artigo |
| Lenguaje: | Espanhol |
| Publicado: |
Universitat Politècnica de València
2018-07-01
|
| Colección: | EGA |
| Materias: | |
| Acceso en línea: | https://polipapers.upv.es/index.php/EGA/article/view/7880 |
| Etiquetas: |
Sin Etiquetas, Sea el primero en etiquetar este registro!
|