Supergraphics. Sea Ranch and the proto-Pop authenticity
The end of the works of the Condominium I in 1965 supposes the conclusion of a Californian model of domesticity that goes a step further in its relation with the inhabitant through a last process of non tangible transformation of the space. To do this, Charles Moore, accompanied by William Turnbull...
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| Format: | Artigo |
| Idioma: | Espanhol |
| Publicat: |
Universitat Politècnica de València
2018-07-01
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| Col·lecció: | EGA |
| Matèries: | |
| Accés en línia: | https://polipapers.upv.es/index.php/EGA/article/view/7880 |
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