From Private to Public: The Movement of Pahari Paintings from Royal Collections to the Chandigarh Museum in Post-Independence India
The Government Museum and Art Gallery of Chandigarh was established to fill a cultural vacuum in post-partition Punjab. It received the seed of its collection from Lahore and the rest was amassed by M. S. Randhawa (1909–1986), an Indian Civil Service officer with a love for painting that at the time...
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| Formato: | Artigo |
| Idioma: | Inglês |
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Michigan Publishing
2024-12-01
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| Series: | Ars Orientalis |
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| Acceso en liña: | https://journals.publishing.umich.edu/ars/article/id/7033/ |
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