From Private to Public: The Movement of Pahari Paintings from Royal Collections to the Chandigarh Museum in Post-Independence India
The Government Museum and Art Gallery of Chandigarh was established to fill a cultural vacuum in post-partition Punjab. It received the seed of its collection from Lahore and the rest was amassed by M. S. Randhawa (1909–1986), an Indian Civil Service officer with a love for painting that at the time...
Guardat en:
| Autor principal: | |
|---|---|
| Format: | Artigo |
| Idioma: | Inglês |
| Publicat: |
Michigan Publishing
2024-12-01
|
| Col·lecció: | Ars Orientalis |
| Matèries: | |
| Accés en línia: | https://journals.publishing.umich.edu/ars/article/id/7033/ |
| Etiquetes: |
Sense etiquetes, Sigues el primer a etiquetar aquest registre!
|