Cultural appropriation: brazilian stage productions of Samuel Beckett’s Waiting for Godot
The present article aims at discussing, first and briefly, the experimental features Samuel Beckett (1906-1989) imprinted in Waiting for Godot (1948-1949), among them the implosion of dramatic elements and the inscription of detailed performance instructions within the text itself, thus creating a...
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| Autor principal: | |
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| Format: | Artigo |
| Idioma: | Inglês |
| Publicat: |
Universidade Federal de Santa Catarina
2020-05-01
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| Col·lecció: | Ilha do Desterro |
| Accés en línia: | https://periodicos.ufsc.br/index.php/desterro/article/view/70373 |
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