Cultural appropriation: brazilian stage productions of Samuel Beckett’s Waiting for Godot
The present article aims at discussing, first and briefly, the experimental features Samuel Beckett (1906-1989) imprinted in Waiting for Godot (1948-1949), among them the implosion of dramatic elements and the inscription of detailed performance instructions within the text itself, thus creating a...
সংরক্ষণ করুন:
| প্রধান লেখক: | |
|---|---|
| বিন্যাস: | Artigo |
| ভাষা: | Inglês |
| প্রকাশিত: |
Universidade Federal de Santa Catarina
2020-05-01
|
| মালা: | Ilha do Desterro |
| অনলাইন ব্যবহার করুন: | https://periodicos.ufsc.br/index.php/desterro/article/view/70373 |
| ট্যাগগুলো: |
কোনো ট্যাগ নেই, প্রথমজন হিসাবে ট্যাগ করুন!
|