Harmonic gradations in the third movement of the String Quartet n. 2 by György Ligeti: the reevaluated concept of micropolyphony
From Lacrimosa (Requiem) Ligeti modifies his language as he gradually leaves the cluster's harmony. He starts inserting holes in the texture and using a smaller number of instruments. This attitude implies a reassessment of the micropolyphony technique (used in his previous sound mass works) and an...
محفوظ في:
| المؤلف الرئيسي: | |
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| التنسيق: | Artigo |
| اللغة: | Inglês |
| منشور في: |
Escola de Música da UFMG
2022-09-01
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| سلاسل: | Per Musi |
| الموضوعات: | |
| الوصول للمادة أونلاين: | https://periodicos.ufmg.br/index.php/permusi/article/view/37400 |
| الوسوم: |
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