Harmonic gradations in the third movement of the String Quartet n. 2 by György Ligeti: the reevaluated concept of micropolyphony
From Lacrimosa (Requiem) Ligeti modifies his language as he gradually leaves the cluster's harmony. He starts inserting holes in the texture and using a smaller number of instruments. This attitude implies a reassessment of the micropolyphony technique (used in his previous sound mass works) and an...
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| Formatua: | Artigo |
| Hizkuntza: | Inglês |
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Escola de Música da UFMG
2022-09-01
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| Saila: | Per Musi |
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| Sarrera elektronikoa: | https://periodicos.ufmg.br/index.php/permusi/article/view/37400 |
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