Le Joker au musée dans Batman de Tim Burton, ou le vandalisme artistique entre avant-garde et culture populaire
This article aims to identify the aesthetic and political stakes raised by artistic vandalism as practiced by the Joker at the Flugenheim Museum in Gotham City in Tim Burton’s Batman (1989). The analysis takes as a starting point the use that Swiss-American artist Christian Marclay makes of this ver...
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| Autor principal: | |
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| Formato: | Artigo |
| Idioma: | Inglês |
| Publicado em: |
Université de Bourgogne
2020-07-01
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| coleção: | Interfaces |
| Assuntos: | |
| Acesso em linha: | https://journals.openedition.org/interfaces/833 |
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