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Le Joker au musée dans Batman de Tim Burton, ou le vandalisme artistique entre avant-garde et culture populaire

This article aims to identify the aesthetic and political stakes raised by artistic vandalism as practiced by the Joker at the Flugenheim Museum in Gotham City in Tim Burton’s Batman (1989). The analysis takes as a starting point the use that Swiss-American artist Christian Marclay makes of this ver...

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Bibliografski detalji
Glavni autor: Pierre-Antoine Pellerin
Format: Artigo
Jezik:Inglês
Izdano: Université de Bourgogne 2020-07-01
Serija:Interfaces
Teme:
Online pristup:https://journals.openedition.org/interfaces/833
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