The End of Desire
This article explores the soteriological significance of desire in Сталкер (STALKER, Andrei Tarkovsky, RU 1979). At the heart of the film, deep within a paranormal and psychosomatic frontier called the Zone, is a space which signifies the end of all desire: the Room, a preternatural place of mystica...
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| Udgivet i: | Journal for Religion, Film and Media |
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| Hovedforfatter: | |
| Format: | Livro |
| Sprog: | Inglês |
| Udgivet: |
Schüren Verlag
2020
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| Online adgang: | https://directory.doabooks.org/handle/20.500.12854/63333 |
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