The End of Desire
This article explores the soteriological significance of desire in Сталкер (STALKER, Andrei Tarkovsky, RU 1979). At the heart of the film, deep within a paranormal and psychosomatic frontier called the Zone, is a space which signifies the end of all desire: the Room, a preternatural place of mystica...
Guardado en:
| Publicado en: | Journal for Religion, Film and Media |
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| Autor principal: | |
| Formato: | Livro |
| Lenguaje: | Inglês |
| Publicado: |
Schüren Verlag
2020
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| Acceso en línea: | https://directory.doabooks.org/handle/20.500.12854/63333 |
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