The Performativity of Female Subjectivities in Othello in Noh Style and Lady Macbeth

My paper focuses on performances of female subjectivity in two East Asian performances of Shakespeare: Othello in Noh Style by Ku Na’uka Theatre Company (directed by Miyagi Satoshi, 2005) and Lady Macbeth by Theatre Moollee (directed by Han Tae-Sook, 2010) re-write and perform Shakespeare’s Othello...

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Detalles Bibliográficos

Autor Principal:	Yip, Roweena
Formato:	Artigo
Idioma:	Inglês
Publicado:	Société Française Shakespeare 2023
Assuntos:	tragédie féminisme Shakespeare asiatique théâtre interculturel subjectivité tragedy feminism Asian Shakespeare intercultural theatre subjectivity
Acceso en liña:	https://doi.org/10.4000/shakespeare.8013 https://hdl.handle.net/20.500.13089/vslf https://journals.openedition.org/shakespeare/8013
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