The Performativity of Female Subjectivities in Othello in Noh Style and Lady Macbeth
My paper focuses on performances of female subjectivity in two East Asian performances of Shakespeare: Othello in Noh Style by Ku Na’uka Theatre Company (directed by Miyagi Satoshi, 2005) and Lady Macbeth by Theatre Moollee (directed by Han Tae-Sook, 2010) re-write and perform Shakespeare’s Othello...
I tiakina i:
| Kaituhi matua: | |
|---|---|
| Hōputu: | Artigo |
| Reo: | Inglês |
| I whakaputaina: |
Société Française Shakespeare
2023
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| Ngā marau: | |
| Urunga tuihono: | https://doi.org/10.4000/shakespeare.8013 https://hdl.handle.net/20.500.13089/vslf https://journals.openedition.org/shakespeare/8013 |
| Ngā Tūtohu: |
Kāore He Tūtohu, Me noho koe te mea tuatahi ki te tūtohu i tēnei pūkete!
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